How do You Pick a City?

What characteristics do you value in the city in which you live? My trip to Vancouver is coming to a close, and my heart actually hurts at the thought of leaving. I’ve never taken it so hard before, and I think part of the reason for my sadness is that in the gap since I’ve last been in the city, I’ve forgotten, or at least the memory has become fainter – of what its like to live with others and live in this city of beauty. Toronto has its own charm, and in this episode of the podcast (click here to listen), I’m reflecting on the differences between Vancouver and Toronto, and whether after the loveliness of living with others, living on one’s own is something to be avoided for the health of one’s heart. It’s a question I need to explore over the next semester hopefully.

For yourself though, what qualities do you value in a city?

It’s Not a Mosque, But It’s Still Controversial

In the Wall Street Journal today, I read about a community in Walnut Grove, California where neighbours are upset that a proposed development called Sufism Reoriented has been granted planning permission. It’s not a mosque; the project leaders describe it as not “affiliated with Islam and is focused on celebrating all major religious figures and their teachings”, but it is remarkable how similar the  s’plot arc’ of proposed faith developments are. The objections people cite tend to be similar concerns of compatible design, traffic concerns, sprawl, size and the character of the neighbourhood changing, and are challenging because it is difficult to reach a point where you can definitively say a concern like appropriate size or compatible design has been adequately dealt with.

I find it fascinating, particularly because in many cases, communities are mobilizing after planning permission has been granted to try and pressure planning authorities to reverse their decisions. In Markham, Ontario there is a proposed mosque that has met the necessary planning requirements but residents are still mobilizing to stop the mosque from being built, Park 51 had approval from planning authorities before its conflict became the subject of national and international media attention, and the list goes on. My research is about how planners can address conflicts that occur around the development of mosques, but this too is an interesting question. What do you do when the planning process is over, but the conflict refuses to die down? When citizens see the planning system as open to pressure and amenable to change?  I’m not sure what the answer is, but its an important question I think.

One might say that all developments attract conflict and NIMBY (Not in my Backyard) sentiments, but I agree with Walter Kieser,  one of the people interviewed in Wall Street Journal piece:

“Walter Kieser, managing principal at EPS LLC, an urban economics and planning consultancy in Berkeley, says Bay Area communities are increasingly pushing back against construction projects affiliated with religious groups because many of the projects have grown in size in the era of megachurches. Meanwhile, residents often hope to limit sprawl or want to preserve the pastoral nature of their neighborhoods, he says.

“Big projects always face some pushback from the community but when faith is added to the equation, these kinds of squabbles often turn into fights,” Mr. Kieser says.

You can read the Wall Street Journal article in its entirety here.

Liveable, Walkable, Affordable

I love reading and visiting different communities and learning about how they implement different principles of city building. Today, I read about a neighbourhood in Hamburg, Germany, that is bringing together ideas of walkability, green space, mixed use and affordability to create “the neighbourhood of the future”, and it made me excited thinking about travel post graduation and learning more about the development of cities through real-world experiences and encounters.

You can read the full article here.

Figure Out Your Intentions (Lessons From Hart House Training)

No matter what your external dimensions are, if you’re connected to yourself and your motivations are clear, you can light up a room with your personality, regardless of how petite you are. It’s not  related.

In acting you won’t get too nervous if you know what your character wants. It’s like life. If you know what you want and why you are where you are, it’s much easier to be motivated and get what you need to do done. If you don’t know why you are where you are, and the reason you’re doing what you’re doing, you’ll feel self conscious. Words that come through the heart and actions that are connected  to feelings will be successful. All words can be powerful when connected to the heart.

There are questions to ask yourself: where am I? what do I want? if I get what I want, what will it fulfill? Why do I want what I want? It’s important to know your values and what you find most important so that your activities resonate through those particular values. When you know where you are and where you want to be, you find lots of opportunities to build character. Often people will decrease their power so that they become smaller and don’t have to be vulnerable. But don’t apologise for yourself. Until you’re courageous and recognise who you are, aren’t fully alive. The greater your spirit is about the work that you do, the greater your work will be. It’s also helpful to have rituals. In drama, we have specific rituals, from voice to nutrition and meditation, and you need to find relevant rituals in your own life to be engaged.

~Kevin McCormick,Hart House Programme Intern Training, August 2011

Libraries, Planning Education, Thesis-ing and Holiday Reading

I was down with a cold recently and sounded too awful to podcast (though ironically, had to do two term project presentations with my sniffly voice) but I’m all mended now, and back to doing these short audio reflections. I’ve been worried about microphone quality and not knowing how to edit, but as a teacher told me tonight, the important thing is to begin and not worry about having the right equipment, and then the skills and other pieces can develop over time. Otherwise what sometimes happens is that you can become so worried about having the right tools that it becomes an excuse for never beginning the project you intended to begin in the first place.

And so with that reminder in mind, I am back, and ready to learn more through trial and error. All tips and feedback welcomed! In today’s episode, I’m reflecting on some of the things that I learnt through my term papers this year, the discipline specific reading I’m looking forward to over the break and asking you about what you recommend reading over the break. Look forward to hearing your comments!

Seriously Planning on Tumblr

Last year I had a tumblr account for a short while, and I just stumbled upon it now when looking for something else in my email. It was a place to post short articles and videos that I thought I (and others) would find interesting. Not sure I’ll keep it up b/c it might be confusing having two sites to post, but it was a fun midmorning discovery today. =)

You can find Seriously Planning on Tumblr here.

 

Awesome Event Alert: Martha Rosler at the Harbourfront Centre

Interested in creative cities, women, war and public cuts to art? This sounds like an interesting event. (Not to mention that talks in the Harbourfront Centre are always enhanced by the beautiful location) Now if only there were student tickets available..

Details below.

INTERNATIONAL LECTURE SERIES / Martha Rosler

December 15, 2011

Martha Rosler is an artist working in photography, video, writing, performance, sculpture, and installation. Her work often addresses matters of the public sphere and landscapes of everyday life — actual and virtual — especially as they affect women. Rosler has produced works on war and the “national security climate,” connecting everyday experiences at home with the conduct of war abroad. The Martha Rosler Library, comprising seven thousand books, toured widely from 2005–2009. Rosler will discuss Toronto-based theorist Richard Florida’s idea of the Creative Class as it relates to artists’ interests and with an eye to how this discourse is playing out in a local, national and international context of massive cuts to the public sector and to arts and culture in particular.

Recent solo exhibitions have taken place at the Institute of Contemporary Arts, London (2005) and Portikus, Frankfurt (2008), while GAM, Turin, hosted a retrospective exhibition of her work in 2010. Rosler was included in the 2011 Istanbul and Singapore biennales, and is the recipient of a 2011 DAAD Artists-in-Berlin Residency.

Call the Harbourfront Centre Box Office at 416.973.4000 to purchase tickets.

2011–2012 International Lecture Series Donor

J.P. Bickell Foundation

PRICES

FREE: Members
$12: Non-Members
Thursday, December 15, 2011
7:00PM
Studio Theatre
York Quay Centre, 235 Queens Quay West
 (Source: http://www.harbourfrontcentre.com/whatson/today.cfm?id=3524)

2 Years Later,I’ve Got a Different Question (Reflections on Home and Travel)

Greetings friends!  Today’s episode (I still have a bad cold, but you can hear it here ) is about how although my term papers are still in full force, the sight of suitcases past my door of students has only intensified my desire to go home. I can’t wait to see my family, see the mountains, hug my books, make tea in a kettle,  have lunch on a proper dining table, cook food on actual counters, and iron my clothes on a honest to goodness ironing board. (I could go on and on) I found an old post from Dec 2009 today that talks about an equally intense feeling at that point in time, the desire to go and visit unknown places, and push myself to learn new things. Where in the home/travel spectrum are you? What are you thinking about? Do share your thoughts.

What are the qualities of an intriguing workplace?

Hi readers! I’ve got a bit of a cold, so please pardon the foggy voice and thinking in the fourth episode of the Seriously Planning podcast. As the job search for my first proper planning job begins, today’s episode (click here to listen) is about things that are important to me in a workplace. It’s of course not an exhaustive list, but I’m curious to know, what makes an organization one that you want to be a part of? Do add your comments below.