Mohsin Hamid – I Didn’t Know You Could Write Like This

I‘ve never been a huge fan of Mohsin Hamid. I loved “The Reluctant Fundamentalist” initially but was disappointed and irritated by the end, I enjoyed his essay collection “Civilization and Its Discontents” and I couldn’t get through the beginning of “How to Get Filthy Rich in Asia.” His latest book though, “Exit West” is magical. I’m almost done and hoping that the ending doesn’t let me down. Read below for one of my favourite passages from the book.

“He was drawn to people from their country, both in the labour camps and online. It seemed to Nadia that the farther they moved from the city of their birth, through space and through time, the more he sought to strengthen his connection to it, tying ropes to the air of an era that for her was unambiguously gone.

To Saeed, Nadia looks much the same as she did when they first met, which is to say strikingly fetching, if vastly more tired. But it was inexplicable that she continued to wear her black robes, and it grated on him a bit, for she did not pray, and she avoided speaking their language, and she avoided their people, and sometimes he wanted to shout, well take it off then, and then he would wince inwardly, since he believed he loved her, and his resentment, when it bubbled up like this, made him angry with himself, with the man he seemed to be becoming, a less than romantic man, which is not the sort of man he believed a man should aspire to be.

Saeed wanted to feel for Nadia what he had always felt for Nadia, and the potential loss of this feeling left him unmoored, adrift in a world where one could go anywhere but still find nothing. He was certain that he cared for her and wished good for her and wanted to protect her. She was the entirety of his close family now, and he valued family above all, and when the warmth between them seemed lacking his sorrow was immense, so immense that he was uncertain whether all his losses had not combined into this core of loss, and in this core, this center, the death of his mother and the death of his father and the possible death of his ideal self who had loved this woman so well were like a single death that only hard work and prayer might allow him to withstand.

Saeed made it a point to smile with Nadia, at least sometimes, and he hoped she would feel something warm and caring when he smiled, but what she felt was sorrow and the sense that they were better than this, and that together they had to find a way out.”

~Exit West by Mohsin Hamid, p.187-188

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